Goans have not lost their love for Goa just because they have acquired Portuguese citizenship

Until five years back, Goans had been finding an easy way out for better quality of life and that was gate-crashing into England via Portugal. The Portuguese have been kind enough to allow Goans into its country as a goodwill gesture for making it their colony four centuries back.

There was no issue at all even though lakhs of Goans had opted for Portuguese passport with different perception. The main being employment and better quality of life. Of course there was a hitch there that nobody realised. And that is after acquiring Portuguese passport, one could not work for the Goan government as the person becomes a foreigner in his own motherland.

Individuals with government employment in Goa undertook this exercise of opting for Portuguese citizenship while working for the government here, to facilitate their children to acquire the Portuguese passport and migrate to Europe for job opportunities were meagre here and also very less paying for the type of talent and educational qualification our youth have achieved.

Everything was fine till the time politicians muddled the issue for their own benefit. The very first instance was when defeated Benaulim candidate Valanka Alemao daughter of Churchill Alemao raked up Caitu D’silva’s nationality as Portuguese citizens simply because he won the 2012 Assembly elections against her. In turn Caitu unearthed Churchill Alemao’s nationality. Sadly both the cases are gathering dust in the courts of Law in Goa.

To add fuel to fire, Nuvem MLA Mickky Pacheco who had an axe to grind with Superintendent of Police Allan D’sa produced documents indicating that the latter was a foreigner working as a high ranking police officer in Goa.

Mickky had an axe to grind against D’sa as he refused to dance to the Legislators tune and had put Nuvem MLA’s pet police inspector Edwin Colaco on a tight leash.

As SP D’sa was battling the controversy, one RTI activists produced documents showing that PI Edwin Colaco had also registered his birth in Portugal. With this the can of worms finally spilled out. Large number of government servants in all its departments had registered their birth in Portugal. Some to settle in Portugal or England after superannuation or to facilitate their children to secure gainful employment in these countries.

Union government realized it and maintained a status quo. However it was upon the Judiciary to interpret and decide, whether mere registering birth or thereafter marriage amounted to being a Portuguese citizen. The Indian judiciary was found wanting in this matter.

Very soon Caitu D’silva who was elected as Benaulim MLA will complete his term of five years but the judiciary is still saddled with the matter. After his term is over Valanka Alemao’s case against Caitu becomes infractuous as she had demanded that he be disqualified for obtaining ‘Bilhete de Indentidade’ and ‘Cartao de Cidadao’.

It will be a different issue altogether if he tries to contest election again as all those who have registered their birth and marriage in Portugal will have to show their Indian citizenship and not origin of birth.

It was the sole responsibility of the Judiciary to decide whether just obtaining ‘Bilhete de Indentidade’ and ‘Cartao de Cidadao’, amounts to being a foreigner in his country of birth or origin. This is still being debated and the answer to this complex issue still fluttering in the wilderness.

Then came along Remo Fernandes, Goa’s prized political singer besides tiartists and 2012 Assembly Election mascot. Till this very year, Remo was kept on high pedestal by Goans of every hue. Fearless social activists, corruption crusader and one man army against the government advocate Aires Rodrigues, who sought out International pop star in his crosshair for allegedly abusing and threatening a minor girl over whom his (Remo’s) son had driven his car. As the debate over Remo’s visiting the girl in Goa Medical College was raging, adv. Aires dropped a bomb that stunned most Goans. He claimed that Remo Fernandes had attained Portuguese citizenship and that he was no longer a Goan.

From here on the war became murkier with one advocate from Margao Rajeev Gomes representing Remo claimed that his learned colleague Aires Rodrigues was also a Portuguese citizen and had also stayed in Portuguese way back in 1987 and that his birth and marriage was also registered in Portugal. An FIR was lodged against Aires by controversial Colva panch member Calvert Gonsalves who is also being represented by adv. Gomes. Allegedly this duo adv. Rajeev and Calvert have even lodged a complaint with the Bar Council of Maharashtra to suspend Aires license to practice Law in Goa.

Not a person to take things lying down, adv. Aires posted documents to indicate that adv. Rajeev Gomes had his birth also registered in Portugal in 2010 along with that of his son. Subsequently, an FIR under Citizenship Act was also registered against Rajeev

This was the pits when two advocates get personal and point fingers at each other over Portuguese citizenship. One could argue that layman working in government service did not realize the implication of obtaining Portuguese passport but can the advocates be excused for being ignorant the law or were they transgressing, contravening or flaunting the Law to continue practicing in Goa.

This ugly duel brought to the fore some sought of stigma attached to procuring or obtaining Portuguese passport. If an individual ups his ante against the government or local self bodies or that matter against any wrong-doing, immediately his citizenship is scrutinized to find out whether he has attained Portuguese nationality. If so the protesting Goans is targeted and branded as being a foreigner is his own land.

Acquiring, procuring and obtaining Portuguese citizenship by Goans is merely a matter of compulsion for better quality of life and job opportunities but it does not mean that all the Goan who have opted for Portugal citizenship have lost their love for Goa. Deep in the recesses of heart they still love Goa but circumstances have forced them to change their nationality.

 

 

Chef’s Salad

Chef's Salad - By Nisser Dias

Capsicums/Peppers of different colours

Cucumbers

Carrots

Baby Corn

Ham

Cheese block

Olives.

Preparations

Wash all the vegetables and cut it in long strips.

Carrots strips should be steamed.

Seeds of Cucumbers should be removed.

Ham should be slightly fried and cut in longs strips also.

Cheese block should also cut into strips.

Placement

Take a flat salad plate preferably round and place one colour of capsicum in a tapering manner from the centre of the plate. In between two colours of capsicum place other items.

Drop full Olives in the middle.

Wrap in clean film and refrigerate the salad

Before serving garnish it with salt, pepper, thyme, basil and onion powder.

 

"With schemes come the schemers, I'm against govt. funding of films" - Bardroy of Nachom-ia Kumpasar’ fame

BARDROY BARRETO, the first Oscar entrant with a Konkani cinema ‘Nachom-ia Kumpasar’, speaks his mind for the first time in an interview to SANDESH PRABHUDESAI, Editor of goanews.com

Bardroy has suddenly become a talk of the town with his Konkani musical getting shortlisted for Oscars in two categories, after ‘Nachom-ia Kumpasar’ winning three national awards. The Konkani film industry was also surprised with his debut feature film going houseful even after one year, including the 1064-seater Ravindra Bhavan in Margao. The film is simply rocking all over the world, bagging six awards at four international film festivals. Goans simply loved all the 20 songs composed by Chris Perry and sung by Lorna.

Through the songs unfolds the fictional love story. The film critics appreciated the filmmaking from all the angles – music, background music, direction and even the production design.

After premiering it in Doha-Qatar on 28 November and in Margao, Goa on 4 December, 2014 the film is still attracting houseful crowds in Margao and Panjim.

Sandesh:- How many shows more and what is the present count?

Bardroy:- Well, we are nearing 100 shows at Ravindra Bhavan in Margao, with a capacity of 1064 while in Panjim, we have crossed 300 mark at 234-seater Maquinez Palace. We also had 14 screenings in UK, 4 in Kuwait, also in Doha-Qatar, Muscat, Bahrain and Dubai. In March, we are moving to Canada. We identify honest people abroad to organise and then screen. That takes little time. The ticket rate is same everywhere, India or abroad. But we have still not reached even 30% of Konkani community. We still have a long way to go.

Sandesh:- But why no screening in theatres?

Bardroy:- Because theatres run your shows only for a few weeks. With this experiment, we have been running NK for over a year now, with every show going houseful. It would run for at least two more years. Isn’t that a better formula?

Sandesh:- Everybody is asking for a DVD…

Bardroy:- I know, but it will take time. If this film makes money, there is hope for others. We are yet to come out with a music CD of the film. It’s getting mastered abroad. 

Sandesh:- What is the strength of your film?

Bardroy:- Music, honesty and simplicity.

Sandesh:- But you also bagged a national award for production design.

Bardroy:- I think my professional background of making advertising films helped me. I am quite comfortable in making stories in 10 to 45 seconds. You need to be meticulous and focus on detailing. But to make this feature film, I had to learn its chemistry. I worked for 20 days with my brother Glenn, who makes feature films and TV serials, to learn how to make a long film.

Sandesh:- NK is not an intellectual film, in fact a very simple film. Not a festival film, not even worth getting an award. The awards came as a surprise for us.

Is the issue between you and Lorna over?

Bardroy:- There never was an issue. Like we are eager to show her the film, she too is eager to watch it. But she has been travelling continuously and we are still trying. Feelers have been sent from both the sides.

Bardroy Barreto

Some people may be interested only in negativity, but our approach was always positive. We celebrated the songs, didn’t go into personal lives of Chris Perry and Lorna. It’s a fictional account of their rumoured life. With the film getting accolades from all over the world, I believe there would be peace now. We have not passed any judgement either on her or him. We have managed to maintain that balance.

Sandesh:- How much has been the final costing now, including marketing?

Bardroy:- We spent nearly Rs 4.50 crores on the filmmaking. But practically nothing on marketing. We spend on newspaper advertisements only to inform the viewers about our shows, not to market it.

Sandesh:- Yours is perhaps the first attempt in Konkani films to raise the budget through crowd funding from around 100 people. Why did you think of it and how did you manage to play this wonder?

Bardroy:- Actually it is not crowd funding in its strictest sense. When we started thinking about funds, the first attempt was made through the Goan corporates. My partner Angelo came down to Goa and practically met each and every prominent corporate house with a proposal. Not a single one responded. They were interested in making only Hindi films. As a result, he returned empty handed to Mumbai.

That is the time the thought struck our mind. Why go begging to the unknown? Let’s talk to our own family and friends. The response was encouraging. We raised Rs. 80 lakh within 10 days. Some of it just with a phone call. The fund raising was not through any public appeal or through social media, but the people whom we knew or our family and friends trust us. I tell you, we actually had Rs 1.25 crore when we started shooting.

Sandesh:- But is it true that you put ceiling on contributions?

Bardroy:- Yes. Because we have to pay back. What if the film flops? We didn’t want to run away. Some people in fact offered to contribute Rs. 50 and 60 lakhs. But we said, No, not a single rupee beyond Rs. five lakhs. While collecting funds, we always remembered one thing. They are the investors and they need the money more than us. With this simple and practical philosophy, we raised Rs 1.25 crore in-house and Rs 2.75 from outside.

Sandesh:- Have you paid back?

Bardroy:- Just finished the first round of disbursal. It’s on pro rata basis, based on ratio of investment. Major amount was paid first. In fact every six months we are paying. The loan burden is still there. Not yet reached a break-even point.

Sandesh:- Is Konkani films worth investing in? Because every film won’t click like NK and get so many awards…?

Bardroy:- Award was never our priority, it was secondary. The main motto was to give back to the people what we owe as artists. NK is not an intellectual film, in fact a very simple film. Not a festival film, not even worth getting an award. The awards came as a surprise for us. It’s a story told in a simple manner; but with love and details.

Sandesh:- Can a five-crore Konkani film be commercially viable?

Bardroy:- May be too much. But a film made within a budget of Rs 2.5 to 3 crore should be safe to recover.

Sandesh:- Do you think government funding will help produce more Konkani films?

Bardroy:- I don’t think so. In fact I am dead against government funding. I see some films which start with a photograph of the Chief Minister and thanking the Government. Whether CM likes it or not is a different issue. But thanking the CM is the first step of compromise. You cannot dedicate it for the right cause. In that sense, government scheme of financial assistance is not the right solution in long term.

Instead, government should create eco-system for the films to be released. Get all other Ravindra Bhavans and such government auditoriums equipped to screen the films so that filmmakers can showcase their films and the venues could also sustain it with the film revenue. That would be a much bigger favour the government could do to promote films.

Sandesh:- You mean to say proper infrastructure is more important than financing making of a film?

Bardroy:- Right, that’s all we need. That will encourage more right thinking people to do the films. You see, the moment there are schemes, there are schemers. I have been watching discussions on this issue in the film forums. But I don’t think financial scheme is the solution.

Sandesh:- But you could make a film because you are based in Mumbai. Goans have always excelled in Mumbai. It is the place to learn. What do you think is needed in Goa to learn and excel without going to Mumbai or anywhere else?

Bardroy:- Again there is discussion in the forum that certain percentage of Goan artists should be there to consider a film Goan. I don’t think we have reached the stage to claim percentage. First of all there is no film culture developed in Goa. What percentage are you talking about? Though I live in Mumbai, my voting and ration card is still in Canacona. I made the film for the love of Goa, not for money. I can make money if I work for few days in a year in Mumbai.  Advertising is a highly paid profession. I gave it up for four years to make this film, put my energies into it with a sole intention to give something back to your own state. If people look at me as an outsider, it’s unfair.

Sandesh:- People have to struggle. There is no other short cut. In Mumbai, anyone can challenge you. You need to work under that pressure.

What prospects do you foresee in young talent entering Konkani films?

Bardroy:- I think NK has managed to change the perception that Konkani films are not watched by majority Goans. Even after one year, while reaching out to only 30% of Goan audience, NK is still going houseful. There is a slight surge with more people watching Konkani films and making it commercially successful. I watched ‘Nirmon’ and ‘Hanv Tum Tum Hanv’, I am yet to watch ‘Enemy’ and ‘Home Sweet Home.’ I feel these young filmmakers have raised the standard of Konkani films. Ramprasad Adpaikar, director of ‘Hanv Tum Tum Hanv’ is a young talent and the whole team is young. They have made the film honestly. I met Miransha Naik and his team, who have made the film ‘Juze’. They are very honest, humble and equally talented. These young boys are the future of Konkani cinema. 

Sandesh:- But what about the young filmmakers who cannot afford to go outside Goa but want to make a film in Goa? Don’t you think Goa needs a Film Institute now?

Bardroy:- I don’t think it is about affording, but struggling. Even we struggled. People have to step out, because it’s a collaborative field. There is no other short cut. I met a young cinematographer. He has done fantastic work, no doubt. But I told him you are doing it in a comfort zone. You have to be thrown to the line. Because in Mumbai, anyone can challenge you. You need to work under that pressure. You have to develop that temperament. Merely having a film institute in Goa will not help. There has to be culture. You have to collaborate with the people who know the craft. I don’t think you can learn it, being in Goa.

Sandesh:- The last question. What after Nachom-ia Kumpasar?

Bardroy:- Definitely there will be another film. I’ll start writing it now. The era from 1974 to 1985 always fascinates me. I want to address that era. A story will be set into it. I don’t know what it would be. Goa has not documented the past. To arrive at contemporary Goa, there should be at least two more films I would need to do it based on the past. Many people are doing films about contemporary Goa. I need not worry about it. I may go backward also, in the history. These films should help future generations to refer to. If I do that, I think I could achieve something what I set out to do and entertain the people.